Let Do It Again Movie Sidney Poitier

Let's Do It Again

Information technology's the same two dudes from "Uptown Saturday Night"...simply this time they're back with kid dyn-o-mite!

Clyde Williams and Billy Foster are a couple of bluish-collar workers in Atlanta who accept promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing lucifer.

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Le insurrection à refaire, Aconteceu Outra Vez, Mas Que Grandes Vigaristas, Dos tramposos con suerte, Kalabalik i gangstervärlden, Huijarit vauhdissa, Dynamit i handsken, Tuumasta toimeen

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Disillusionment In Lord's day-Drenched 1970s American New Wave Cinema: A Watching Cursory

40th Street Black is a Bright name for a boxer.

I was slightly suspicious of watching Let'south Do Information technology Once more because of the battle theme the poster propose and the fact that the plot surrounds fixing bouts. It falls under the old not being a fan of sports films affair. There was also another reason I was suspicious of information technology but I honestly couldn't think what that might accept been....

As it turns out, battle doesn't play that much of a part in this picture show anyhow, which was a relief. Also because I don't like boxing at all. Permit'south Do It Again is a light-hearted crime caper where a…
I liked "Uptown Sabbatum Night", the first Bill Cosby/Sidney Poitier collaboration directed past Poitier, but I recollect I liked "Let'southward Do It Again" fifty-fifty more than, to be honest.

It's a lot sillier. Poitier plays a milkman who has a gift for hypnosis (it's wonderfully ridiculous). Cosby plays a factory worker. Both of them vest to the Brothers and Sisters of Shaka (retrieve a more Afro-centric variation on the local Elks Lodge). Cosby is the treasurer, Poitier is an elderberry, and Ossie Davis is the sort of leader/preacher of this arrangement. But there isn't enough coin in the coffers to pay for the new edifice that the lodge needs to keep going so Cosby comes up with an thought to make…
The second in a trilogy of films starring Cosby and the belatedly great Sidney Poitier, it was a fun watch from the kickoff to the end.

While there are some moments that would either catch off baby-sit and sometimes predictable. And others would drag a niggling similar the chase sequence virtually the end. The other aspects of the motion picture make up for it through very good jokes and performances. Not to mention a nice use of locations throughout the unabridged film and has a nice jazzy score besides.
Black cinema from the 1970s. Two rasals brand a trip with their wives to New Orleans. The city is existence used equally a background pretty much ok, mainly the tourist spots are beingness shown.
The movie itself isn´t actually so great, especially ane shouldn´t expect any kind of a senseful plot, just at least in that location are a few good scenes. If you lilke the actors this motion picture is watchable, just you don´t really miss anything not having watched it.
What makes me sad is that I don´t like Bill Cosby anymore. Everytime I run into him I´m reminded that he has been found guilty for sexual abuse in several cases. And since he played the part of the good daddy then many times, this just doesn´t get together well.

www.youtube.com/watch?v=GIaQa4BKJB4

letterboxd.com/eudorafletcher/list/movies-set-in-louisiana-that-are-not-worth/
Bill you stay the hell away from these women
I didn't know Sidney directed it, but it'southward kind of weird to see bill Cosby eyeing Downwards a girl in the first scene where we know what happens years subsequently, that is criminal to run into nowadays knowing what happens. I didn't really like the first film, just since i started this I might as well finish it. I merely found it dull for the almost part, I merely don't find anything funny and not a good hang out flick either. No stars in the background for me, they mention biggie smalls before biggie smalls.
this moving picture was practiced when it started out every bit a buddy trip for a big bet, but and then it turns into a motion-picture show about magical hypnosis was the perfect twist
The sequel to Uptown Saturday Nighttime, and even funnier. The boys decide to heighten some money by using hypnosis to make a dud boxer fight like a champ. Scout for Jimmy (J.J.) Walker as the unlikely boxer.
Continuing my journey back to the 7 O'Clock film on independent Television receiver Stations.

This is non a sequel to Uptown Sabbatum Dark. Sidney Poitier directs the aforementioned type of story, here, a blueish collar couple on vacation in New Orleans get involved fixing a fight. Bill Cosby and Poitier anesthetize Jimmie Walker equally Bootney Farnsworth who becomes Middleweight Champion of the World. The scheme runs swirl of ii mob bosses played past Calvin Lockhart and John Amos.

The film is about equally well written of a comedy as you were likely to detect in the mid 70s. The situations are funny and sort of conceivable. I didn't desire the pic to end. I want to signal of how astonishing Nib Cosby was in the motion-picture show, no thing how his career and life ended up, we was a gifted comedic role player and fantastic in this and Uptown which I watched last weekend.
Far ameliorate written and directed than 'Uptown Saturday Dark' but with an easygoing laziness in the plot that would not be tolerated past a studio today—to its do good, for the most office.
A bit dated, merely any film with Sidney Poitier and Bill Cosby should exist a fun fourth dimension. I watched this with a group of work colleagues and anybody seemed to relish it. Because the current Cosby stuff, there was a weird scene with a young girl in a waiting room that has an unintended meaning present.